Production
The film version of Trace of Stones was based on the novel of the same name by writer Erik Neutsch. The novel was celebrated by the Socialist Unity Party (SED) of East Germany, and production of the film was expected to be free of the normal interference normally subjected to DEFA by the SED. Since the novel was 900 pages, some major alterations would need to be made to the story in order to make a film of reasonable length.
Initial screenings of the working print were attacked by high-ranking officials of the SED, much to the surprise of director Frank Beyer. They took issue with the portrayal of "The Party" in the film. While socialism is celebrated by the film, the party's role in it was viewed as neutral. The SED wanted their portrayal in the film to be one of a proactive agent of socialism. The SED, in an effort to create the illusion of studio autonomy, gave the film over to DEFA's internal approval process. It was approved, and the SED reluctantly allowed for distribution of the film.
Read more about this topic: Traces Of Stones
Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)