Appearances in Popular Culture
- In The Hitchhiker's Guide to the Galaxy, a series of books by Douglas Adams, towels are described as "about the most massively useful thing an interstellar hitchhiker can have," an example usage being to ward off the gaze of the Ravenous Bugblatter Beast of Traal. The fictitious time/space traveller and Guide Researcher Ford Prefect uses the idiom "a hoopy frood who really knows where his towel is" to mean someone generally alert and aware. Some of Adams's fans seized on this idea and now use towels as a sign of devotion to the Hitchhiker books, radio series, TV series, website, etc. Towel Day is held each year in memory of Adams.
- Fans started using the Terrible Towel in 1975 to encourage the Pittsburgh Steelers as they sought (and eventually won) an NFL championship. The Terrible Towel has been in use by the Steelers since and is "arguably the best-known fan symbol of any major pro sports team".
Read more about this topic: Towel
Famous quotes containing the words popular culture, appearances, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“It is doubtless wise, when a reform is introduced, to try to persuade the British public that it is not a reform at all; but appearances must be kept up to some extent at least.”
—George Bernard Shaw (1856–1950)
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.”
—Ralph Waldo Emerson (1803–1882)