Torquay Railway Station - Description

Description

The station has two ranges of buildings, each 244 feet (74 m) long, built in local grey rubble stone on either platform. Deep canopies on composite iron and wood girders cover the platforms; there are further canopies on the road side of both buildings. Only the building which faces the sea at Abbey Sands and the town is still used and this houses the ticket office and a cafe; the building on the other platform is locked out of use although the gate from this approach road is open when trains are running. The one remaining signal box (now rented out for commercial purposes) is situated at the south end of this platform near a decorative cast iron bridge across the tracks.

The forecourt in front of the main building is shaded by trees and is raised above the road by an arched retaining wall. The Grand Hotel is on the right of passengers leaving the station, and the sea front is just beyond. Buses to the harbour and town centre stop on the sea front by the road leading to the station.

The platform nearest the sea is served by trains towards Paignton, the opposite platform being used for trains towards Exeter St Davids. There is step-free access to both platforms and a wide footbridge links them.

Read more about this topic:  Torquay Railway Station

Famous quotes containing the word description:

    The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St Paul’s, like the editions of Balbec and Palmyra.
    Horace Walpole (1717–1797)

    Everything to which we concede existence is a posit from the standpoint of a description of the theory-building process, and simultaneously real from the standpoint of the theory that is being built. Nor let us look down on the standpoint of the theory as make-believe; for we can never do better than occupy the standpoint of some theory or other, the best we can muster at the time.
    Willard Van Orman Quine (b. 1908)

    God damnit, why must all those journalists be such sticklers for detail? Why, they’d hold you to an accurate description of the first time you ever made love, expecting you to remember the color of the room and the shape of the windows.
    Lyndon Baines Johnson (1908–1973)