Design
While the building's base is rectangular, its two towers are curved in cross-section and rise to differing heights. The east tower is 27 storeys (99.5 metres (326 ft)) tall and the west tower is 20 storeys (79.4 metres (260 ft)). Between the towers is the saucer-like council chamber, and the overall arrangement is somewhat like two hands cradling the chamber. The outer concrete surfaces of the towers have been ribbed, to prevent collapse of the fabric as a result of the expansion of the exterior surfaces, and the tearing apart of the fabric as a result of differences in air pressure on the two sides of each wing-like tower during the high winds characteristic of the Great Lakes. The north, west, and east elevations are more abstract and sculptural in contrast with the extensive glazing of south elevation facing the square; each presents a view of concave panels of concrete textured with split-faced strips of Botticino marble. To the east of the square is Old City Hall which is now a courthouse. From the air, the building is seen as a giant unblinking eye, thus the building's original nickname of "The Eye of Government".
When finished, the building generated controversy among many people, who felt that it was extremely futuristic, too futuristic for the city. Even half a century later, it still appears very modern.
The design for the public space in front of the new city hall, Nathan Phillips Square, was part of the competition. The square's reflecting pool and concrete arches, fountain, and overhead walkways were thus also part of Revell's submission. It has since seen several monuments, sculptures, and other works of public art added, and is undergoing a renovation, but it continues to compliment the city hall with its original Modernist design elements.
Read more about this topic: Toronto City Hall
Famous quotes containing the word design:
“Delay always breeds danger; and to protract a great design is often to ruin it.”
—Miguel De Cervantes (1547–1616)
“You can make as good a design out of an American turkey as a Japanese out of his native stork.”
—For the State of Illinois, U.S. public relief program (1935-1943)
“For I choose that my remembrances of him should be pleasing, affecting, religious. I will love him as a glorified friend, after the free way of friendship, and not pay him a stiff sign of respect, as men do to those whom they fear. A passage read from his discourses, a moving provocation to works like his, any act or meeting which tends to awaken a pure thought, a flow of love, an original design of virtue, I call a worthy, a true commemoration.”
—Ralph Waldo Emerson (1803–1882)