Design
While the building's base is rectangular, its two towers are curved in cross-section and rise to differing heights. The east tower is 27 storeys (99.5 metres (326 ft)) tall and the west tower is 20 storeys (79.4 metres (260 ft)). Between the towers is the saucer-like council chamber, and the overall arrangement is somewhat like two hands cradling the chamber. The outer concrete surfaces of the towers have been ribbed, to prevent collapse of the fabric as a result of the expansion of the exterior surfaces, and the tearing apart of the fabric as a result of differences in air pressure on the two sides of each wing-like tower during the high winds characteristic of the Great Lakes. The north, west, and east elevations are more abstract and sculptural in contrast with the extensive glazing of south elevation facing the square; each presents a view of concave panels of concrete textured with split-faced strips of Botticino marble. To the east of the square is Old City Hall which is now a courthouse. From the air, the building is seen as a giant unblinking eye, thus the building's original nickname of "The Eye of Government".
When finished, the building generated controversy among many people, who felt that it was extremely futuristic, too futuristic for the city. Even half a century later, it still appears very modern.
The design for the public space in front of the new city hall, Nathan Phillips Square, was part of the competition. The square's reflecting pool and concrete arches, fountain, and overhead walkways were thus also part of Revell's submission. It has since seen several monuments, sculptures, and other works of public art added, and is undergoing a renovation, but it continues to compliment the city hall with its original Modernist design elements.
Read more about this topic: Toronto City Hall
Famous quotes containing the word design:
“The reason American cars dont sell anymore is that they have forgotten how to design the American Dream. What does it matter if you buy a car today or six months from now, because cars are not beautiful. Thats why the American auto industry is in trouble: no design, no desire.”
—Karl Lagerfeld (b. 1938)
“What but design of darkness to appall?
If design govern in a thing so small.”
—Robert Frost (18741963)
“I begin with a design for a hearse.
For Christs sake not black
nor white eitherand not polished!
Let it be weatheredlike a farm wagon”
—William Carlos Williams (18831963)