Topsy Kretts - Reception

Reception

The film has been panned by critics, with a current rating of 8% on Rotten Tomatoes and a consensus stating "Jim Carrey has been sharp in a number of non-comedic roles, but this lurid, overheated, and self-serious potboiler is not one of them. The Number 23 is clumsy, unengaging, and mostly confusing." Of the few critics who liked the film, Richard Roeper and critic George Pennachio of KABC-TV in Los Angeles stand out, as they gave the film a "2 thumbs up" rating on the television show Ebert & Roeper (Pennachio was standing in for Roger Ebert due to Ebert's recent illness).

However, Michael Phillips, filling in for Ebert on the Worst of 2007 show (aired January 12, 2008) put 23 at No. 7 in his list of the worst (Roeper did not include it in his list). Peter Travers (of Rolling Stone) declared the film the year's worst star vehicle on his list of the Worst Movies of 2007, while Colm Andrew of the Manx Independent said the film "delivers a rambling, confusing narrative with only a few stylistic elements thrown in".

For his performance, Jim Carrey was nominated for the Golden Raspberry Award for Worst Actor at the 2008 Golden Raspberry Awards, but lost the award to Eddie Murphy for Norbit.

Read more about this topic:  Topsy Kretts

Famous quotes containing the word reception:

    To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.
    Ralph Waldo Emerson (1803–1882)

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)