Topiary - Revival

Revival

The revival of topiary in English gardening parallels the revived "Jacobethan" taste in architecture; John Loudon in the 1840s was the first garden writer to express a sense of loss due to the topiary that had been removed from English gardens. The art of topiary, with enclosed garden "rooms", burst upon the English gardening public with the mature examples at Elvaston Castle, Derbyshire, which opened to public viewing in the 1850s and created a sensation: "within a few years architectural topiary was springing up all over the country (it took another 25 years before sculptural topiary began to become popular as well)". The following generation, represented by James Shirley Hibberd, rediscovered the charm of topiary specimens as part of the mystique of the "English cottage garden", which was as much invented as revived from the 1870s:

It may be true, as I believe it is, that the natural form of a tree is the most beautiful possible for that tree, but it may happen that we do not want the most beautiful form, but one of our own designing, and expressive of our ingenuity —(James Shirley Hibberd).

The classic statement of the British Arts and Crafts revival of topiary among roses and mixed herbaceous borders, characterised generally as "the old-fashioned garden" or the "Dutch garden" was to be found in Topiary: Garden Craftsmanship in Yew and Box by Nathaniel Lloyd (1867–1933), who had retired in middle age and taken up architectural design with the encouragement of Sir Edwin Lutyens. Lloyd's own timber-framed manor house, Great Dixter, Sussex, remains an epitome of this stylised mix of topiary with "cottagey" plantings that was practised by Gertrude Jekyll and Edwin Lutyens in a fruitful partnership. The new gardening vocabulary incorporating topiary required little expensive restructuring: "At Lyme Park, Cheshire, the garden went from being an Italian garden to being a Dutch garden without any change actually taking place on the ground," Brent Elliot noted in 2000

Americans in England were sensitive to the renewed charms of topiary. When William Waldorf Astor bought Hever Castle, Kent, around 1906, the moat surrounding the house precluded the addition of wings for servants, guests and the servants of guests that the Astor manner required. He accordingly built an authentically-styled Tudor village to accommodate the overflow, with an "Old English Garden" including buttressed hedges and free-standing topiary. In the preceding decade, expatriate Americans led by Edwin Austin Abbey created an Anglo-American society at Broadway, Worcestershire, where topiary was one of the elements of a "Cotswold" house-and-garden style soon naturalised among upper-class Americans at home. Topiary, which had featured in very few 18th century American gardens, came into favour with the Colonial Revival gardens and the grand manner of the American Renaissance, 1880–1920. Interest in the revival and maintenance of historic gardens in the 20th century led to the replanting of the topiary maze at the Governor's Palace, Colonial Williamsburg, in the 1930s.