Music Video
The music video for "Too Lost in You" was directed by Andy Morahan and filmed at London Stansted Airport in November 2003 over a two-day period. It premiered on the Sugababes' official website in the same month, and was included on the song's CD release. The video begins with the Sugababes walking together in the airport. Buchanan captures the attention of a passenger and begins to have fantasies about him, in which she positions him into a chair and touches his body. In subsequent scenes, the man is shown handcuffed. Buena fantasizes about a worker who she sees in the airport and touches his body with a sword, which she uses to cut the front of his shirt. Range gets the attention of a flight attendant and has dream sequences of touching and kissing him; she also throws a large bag full of ice onto him.
Group member Keisha Buchanan considered the video to be the most challenging for her to film: "The hardest video I've ever done is 'Too Lost in You' when I was straddling the guy in the chair and trying to act all sexual and my um was on set. Let's be honest, I was a virgin, so it was all a bit weird. BT Vision described the Sugababes in the video as "looking about as hot as we've ever seen them on screen". The video was commercially successful, and reached number one on the UK TV airplay chart. Following the completion of the video, clips from Love Actually were added to it in promotion of the film's release.
Read more about this topic: Too Lost In You
Famous quotes containing the words music and/or video:
“I’d rather you shot at tin cans in the back yard, but I know you’ll go after birds. Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.... Mockingbirds don’t do one thing but make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corncribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.”
—Harper Lee (b. 1926)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)