Theater Credits
- Honour, Berkeley Repertory Theatre - director
- Continental Divide, Berkeley Repertory Theatre - director
- Surface Transit, Berkeley Repertory Theatre - director
- Cloud Nine, Berkeley Repertory Theatre - director
- Homebody/Kabul, Berkeley Repertory Theatre - director
- Culture Clash in AmeriCCa, Berkeley Repertory Theatre - director
- The Oresteia, Berkeley Repertory Theatre - director
- Ravenshead, Berkeley Repertory Theatre - director
- Pentecost, Slavs!, Berkeley Repertory Theatre - director
- The Caucasian Chalk Circle, Berkeley Repertory Theatre - director
- Endgame/Act Without Words, Berkeley Repertory Theatre - director
- Volpone, Berkeley Repertory Theatre - director
- The Convict’s Return, Berkeley Repertory Theatre - director
- Major Barbara, Berkeley Repertory Theatre - director
- Serious Money, Berkeley Repertory Theatre - director
- Waiting for Godot - director
- Othello, Oregon Shakespeare Festival - director
- Pentecost, Oregon Shakespeare Festival - director
- Coriolanus, Oregon Shakespeare Festival - director
- The Cure at Troy, Oregon Shakespeare Festival - director
- The Birthday Party and Execution of Justice, Berkeley Repertory Theatre
- Waiting for Godot (1989) - director
- Angels in America, Parts One and Two, Mark Taper Forum (1992) - director
- Brundibar (2006), New Victory Theater - director
- Zorro in Hell (2006) - director
- Wishful Drinking (2008), Berkeley Repertory Theatre - director
- Taking Over, (2009) - director
Read more about this topic: Tony Taccone
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“All I can tell you with certainty is that I, for one, have no self, and that I am unwilling or unable to perpetrate upon myself the joke of a self.... What I have instead is a variety of impersonations I can do, and not only of myself—a troupe of players that I have internalised, a permanent company of actors that I can call upon when a self is required.... I am a theater and nothing more than a theater.”
—Philip Roth (b. 1933)