Tony Conrad - Music

Music

In music, Conrad was an early (though not original) member of the Theatre of Eternal Music, nicknamed The Dream Syndicate, which included John Cale, Angus MacLise, La Monte Young, and Marian Zazeela, and utilized just intonation and sustained sound (drones) to produce what the group called "dream music" (and is now called drone music).

The Theater of Eternal Music performed pieces consisting of long extended tones, in which the performers sustained harmonically related pitches for the duration of each piece. Often, Young performed complex improvisations on saxophone or voice. In recent years, Young (who retains many original recordings) has claimed authorship for the "compositions" the group performed. However, Conrad has characterized those works as collaboration for which he, Angus MacLise, and John Cale should share collective credit. These views remain a source of contention for Conrad and, to a lesser extent, Cale among the former participants in the group.

Conrad's first musical release, and only release for many years, was a 1972 collaboration with the German "Krautrock" group Faust, Outside the Dream Syndicate, published by Caroline (UK) in 1973. This remains his best known musical work and is considered a classic of minimalist music and drone music.

Recently, Conrad has composed more than a dozen audio works with special scales and tuning for solo amplified violin with amplified strings. Recent releases include Early Minimalism Volume 1, a four-CD set, Slapping Pythagoras, Four Violins (recorded in the 1960s), Outside the Dream Syndicate Alive (with Faust, from London 1995), and Fantastic Glissando. He also issued two archival CDs featuring the work of late New York filmmaker Jack Smith, with whom he was associated in the 1960s. He released the 1968 recording of Joan of Arc in 2006. Conrad played together with Rhys Chatham in an early ensemble. Conrad has been chosen by Animal Collective to perform at the All Tomorrow's Parties festival that they will curate in May 2011.