In music theory, the tonic parallel (relative chord, German: Parallelklang) is a diatonic function and chord, relative to the tonic, and thus considered to have or fulfill the function of the tonic. The term is used in German theory and derives from the work of Hugo Riemann. It is abbreviated "Tp" in major and "tP" in minor.
Dr. Riemann...sets himself to demonstrate that every chord within the key-system has, and must have, either a Tonic, Dominant or Subdominant function or significance. For example, the secondary triad on the sixth degree of the scale of C major, a-c-e, or rather c-e-a, is a Tonic 'parallel,' and has a Tonic significance, because the chord represents the C major 'klang,' into which the foreign note a is introduced. This, as we have seen, is the explanation which Helmholtz has given of this minor chord." —Shirlaw 2010In C major:
- Tp is A-minor, US submediant
In C minor:
- tP is Eb-major, US mediant
Famous quotes containing the words tonic and/or parallel:
“We need the tonic of wildness,—to wade sometimes in marshes where the bittern and the meadow-hen lurk, and hear the booming of the snipe; to smell the whispering sedge where only some wilder and more solitary fowl builds her nest, and the mink crawls with its belly close to the ground.”
—Henry David Thoreau (1817–1862)
“If from the earth we came, it was an earth
That bore us as a part of all the things
It breeds and that was lewder than it is.
Our nature is her nature. Hence it comes,
Since by our nature we grow old, earth grows
The same. We parallel the mother’s death.”
—Wallace Stevens (1879–1955)