Tongan Language - Syllabification

Syllabification

• Each syllable has exactly one vowel. The number of syllables in a word is exactly equal to the number of vowels it has.

• Long vowels, indicated with a toloi (macron), count as one, but may in some circumstances be split up in two short ones, in which case, they are both written. Toloi are supposed to be written where needed, in practice this may be seldom done.

• Each syllable may have no more than one consonant.

• Consonant combinations are not permitted. The ng is not a consonant combination, since it represents a single sound. As such it can never be split, the proper hyphenation of fakatonga (Tongan) therefore is fa-ka-to-nga.

• Each syllable must end in a vowel. All vowels are pronounced, but an i at the end of an utterance is usually unvoiced.

• The fakauʻa is a consonant. It must be followed (and, except at the beginning of a word, preceded) by a vowel. Unlike the glottal stops in many other Polynesian languages texts, the fakauʻa is always written. (Only sometimes before 1943.)

• Stress normally falls on the next to last syllable of a word with two or more syllables; example: móhe (sleep), mohénga (bed). If however, the last vowel is long, it takes the stress; example: kumā (mouse) (stress on the long ā). The stress also shifts to the last vowel if the next word is an enclitic; example: fále (house), falé ni (this house). Finally the stress can shift to the last syllable, including an enclitic, in case of the definitive accent; example: mohengá ((that) particular bed), fale ní (this particular house). It is also here that a long vowel can be split into two short ones; example: pō (night), poó ni (this night), pō ní (this particular night). Or the opposite: maáma (light), māmá ni (this light), maama ní (this particular light). Of course, there are some exceptions to the above general rules. The stress accent is normally not written, except where it is to indicate the definitive accent or fakamamafa. But here, too, people often neglect to write it, only using it when the proper stress cannot be easily derived from the context.

Although the acute accent has been available on most personal computers from their early days onwards, when Tongan newspapers started to use computers around 1990 to produce their papers, they were unable to find, or failed to enter, the proper keystrokes, and it grew into a habit to put the accent after the vowel instead on it: not á but a´. But as this distance seemed to be too big, a demand arose for Tongan fonts where the acute accent was shifted to the right, a position halfway in between the two extremes above. Most papers still follow this practice.