Tomorrow Never Dies - Production

Production

After the success of GoldenEye in reviving the Bond series, there was pressure to recreate that success in its follow-up. This pressure came from MGM and from billionaire Kirk Kerkorian, who had recently taken ownership of the studio; they wanted the release to coincide with their public stock offering. Co-producer Michael G. Wilson was also concerned about public expectations after the success of the previous film: "You realize that there's a huge audience and I guess you don't want to come out with a film that's going to somehow disappoint them." This was the first Bond film to be made after the death of Albert R. Broccoli, who had been involved with the production of the series since it began. The rush to complete the film drove the budget to $110 million. The producers were unable to convince Martin Campbell, the director of GoldenEye, to return; his agent said that "Martin just didn't want to do two Bond films in a row." Instead, Roger Spottiswoode was chosen in September 1996. Spottiswoode said he had previously offered to direct a Bond film while Timothy Dalton was still in the leading role.

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Famous quotes containing the word production:

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.
    Charles Darwin (1809–1882)

    I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)