Tomb Raider: Legend - Reception

Reception

Reception
Aggregate scores
Aggregator Score
GameRankings (Xbox) 82.85%
(PS2) 82.22%
(PC) 81.83%
(X360) 80.78%
(GC) 79.00%
(PSP) 69.40%
(GBA) 62.75%
(NDS) 59.71%
Metacritic (Xbox) 82/100
(PS2) 82/100
(PC) 82/100
(X360) 80/100
(GC) 78/100
(PSP) 67/100
(NDS) 58/100
Review scores
Publication Score
GameSpot 7.8 out of 10
GameSpy
IGN 8.2 out of 10

Tomb Raider: Legend gave the series the strongest critical response it had received since Tomb Raider II in 1997, and it remains one of the highest-rated games in the history of the franchise. IGN declared "It's now safe to return to the game you once loved. Crystal Dynamics successfully resurrects an old franchise from the tomb." GameSpot said that Legend "finally brings the series into the 21st Century while staying true to the adventurous spirit of the early games." They stressed the game should have been longer and therefore referred to it as a "brief but fun adventure that just about anyone can enjoy." GameZone awarded it an 8.5/10, and noted that gameplay had improved, saying "Lara is a dream to control and her moves come off as more natural and more acrobatic." They included that the game could have been longer and the combat system improved, and rounded off their review by saying "It’s good to see Lara back in top form and while her adventure is a bit on the short side and combat could have been handled a lot better, it’s hard to say no to a pretty girl that still has what it takes to show us a really good time. Fans of the series will certainly not want to miss this one."

Upon release, Tomb Raider: Legend topped the UK game charts for 3 straight weeks and it is now part of the Platinum Range for PlayStation 2 titles. In 2009, Eidos announced Tomb Raider Legend sold 4.5 million copies making the game the most commercially successful game since Tomb Raider: The Last Revelation.

Read more about this topic:  Tomb Raider: Legend

Famous quotes containing the word reception:

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)