Tom Shows - Diluting The Message of Stowe's Book

Diluting The Message of Stowe's Book

"Tom shows" were so popular that there were even pro-slavery versions. Among the most popular was Uncle Tom's Cabin as It Is: The Southern Uncle Tom, produced in 1852 at the Baltimore Museum. Lott mentions numerous "offshoots, parodies, thefts, and rebuttals" including a full-scale play by Christy's Minstrels and a parody by Conway himself called Uncle Pat's Cabin, and records that the story in its many variants "dominated northern popular culture… for several years".

According to Eric Lott, even those "Tom shows" which stayed relatively close to Stowe's novel played down the feminist aspects of the book and Stowe's criticisms of capitalism, and turned her anti-slavery politics into anti-Southern sectionalism. Francis Underwood, a contemporary, wrote that Aiken's play had also lost the "lightness and gayety" of Stowe's book. Nonetheless, Lott argues, the plays increased sympathy for the slaves among the Northern white working class (which had been somewhat alienated from the abolitionist movement by its perceived elitist backing).