Tom Bradley (author) - Major Critical Studies of Tom Bradley's Books

Major Critical Studies of Tom Bradley's Books

  • Tom Bradley and the Sam Edwine Pentateuch
  • Tom Bradley Happy-Fucks Osaka

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    When I see that the nineteenth century has crowned the idolatry of Art with the deification of Love, so that every poet is supposed to have pierced to the holy of holies when he has announced that Love is the Supreme, or the Enough, or the All, I feel that Art was safer in the hands of the most fanatical of Cromwell’s major generals than it will be if ever it gets into mine.
    George Bernard Shaw (1856–1950)

    An audience is never wrong. An individual member of it may be an imbecile, but a thousand imbeciles together in the dark—that is critical genius.
    Billy Wilder (b. 1906)

    Recent studies that have investigated maternal satisfaction have found this to be a better prediction of mother-child interaction than work status alone. More important for the overall quality of interaction with their children than simply whether the mother works or not, these studies suggest, is how satisfied the mother is with her role as worker or homemaker. Satisfied women are consistently more warm, involved, playful, stimulating and effective with their children than unsatisfied women.
    Alison Clarke-Stewart (20th century)

    Come dame or maid, be not afraid,
    Poor Tom will injure nothing.
    —Unknown. Tom o’ Bedlam’s Song (l. 11–12)

    We have grasped the mystery of the atom and rejected the Sermon on the Mount.... The world has achieved brilliance without wisdom, power without conscience. Ours is a world of nuclear giants and ethical infants.
    —Omar Bradley (1893–1981)

    Translate a book a dozen times from one language to another, and what becomes of its style? Most books would be worn out and disappear in this ordeal. The pen which wrote it is soon destroyed, but the poem survives.
    Henry David Thoreau (1817–1862)