Production
Nikkatsu bosses had been warning Suzuki to tone down his bizarre visual style for years and drastically reduced Tokyo Drifter's budget in hopes of getting results. This had the opposite effect in that Suzuki and art director Takeo Kimura pushed themselves to new heights of surrealism and absurdity. The studio's next move was to impose the further restriction of filming in black and white on his next two films, which again Suzuki met with even greater bizarreness culminating in his dismissal for "incomprehensibility".
Because of budget limitations, Suzuki had to cut connecting shots out of many fights, leading to a need for more creative camera work.
Various shots of Tokyo were used to establish the setting as the then-contemporary post-1964 Japan. Suzuki drew inspiration from a wide variety of sources in making Tokyo Drifter, including the musical films of the 1950s, pop art, absurdist comedy, and surrealist film.
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