To Cut A Long Story Short - Reception

Reception

Allmusic described the single as minimalist spiky synth pop with a style reminiscent of early Orchestral Manoeuvres in the Dark material, and featuring a dirty, overdriven synth sound and a stomping Gary Glitter-like backbeat. Though largely forgotten today, due to Spandau Ballet's later change in style towards a slick, soul-pop (which occurred around 1983), the reviewer considers that it might fairly be considered a minor lost classic of the early-'80s U.K. synth pop scene.

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Famous quotes containing the word reception:

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
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