Composition
The tune was probably composed by a member of the Society, John Stafford Smith from Gloucester, to lyrics by the Society's president, Ralph Tomlinson. Smith wrote the tune in the mid-1760s, while still a teenager. It was first published by The Vocal Magazine (London) in 1778.
These barristers, doctors, and other professional men named their club after the Greek court poet Anacreon (6th century BC), whose poems, "anacreontics", were used to entertain patrons in Teos and Athens. His songs often celebrated women, wine, and entertainment.
The connection with Anacreon, along with the "drinking" nature of the lyrics, have caused many people to label "The Anacreontic Song" a drinking song. Due to the difficulty of singing the song, this claim is highly dubious, although the chorus certainly suggests Bacchanalia with its lyrics "And long may the sons of Anacreon intwine the myrtle of Venus with Bacchus' vine."
The song, through its bawdy lyrics, gained popularity in London and elsewhere beyond the Anacreontic Society. New lyrics were also fashioned for it, including several patriotic titles in the United States. The most popular of these at the time was Robert Treat Paine Jr.'s Adams and Liberty (1798).
Read more about this topic: To Anacreon In Heaven
Famous quotes containing the word composition:
“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
—Gertrude Stein (1874–1946)
“If I don’t write to empty my mind, I go mad. As to that regular, uninterrupted love of writing ... I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.”
—George Gordon Noel Byron (1788–1824)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)