Titanium Dioxide - Production

Production

The production method depends on the feedstock. The most common method for the production of titanium dioxide utilizes ilmenite. Ilmenite is mixed with sulfuric acid. This reacts to remove the iron oxide group in the ilmenite. The by-product iron(II) sulfate is crystallized and filtered-off to yield only the titanium salt in the digestion solution. This product is called synthetic rutile. This is further processed in a similar way to rutile to give the titanium dioxide product. Synthetic rutile and titanium slags are made especially for titanium dioxide production. The use of ilminite ore usually only produces pigment grade titanium dioxide. Another method for the production of synthetic rutile from ilminite utilizes the Becher Process.

Rutile is the second most abundant mineral sand. Rutile found in primary rock cannot be extracted hence the deposits containing rutile sand can be mined meaning a reduced availability to the high concentration ore. Crude titanium dioxide (in the form of rutile or sunthetic rutile) is purified via converting to titanium tetrachloride in the chloride process. In this process, the crude ore (containing at least 70% TiO2) is reduced with carbon, oxidized with chlorine to give titanium tetrachloride; i.e., carbothermal chlorination. This titanium tetrachloride is distilled, and re-oxidized in a pure oxygen flame or plasma at 1500–2000 K to give pure titanium dioxide while also regenerating chlorine. Aluminium chloride is often added to the process as a rutile promotor; the product is mostly anatase in its absence. The preferred raw material for the chloride process is natural rutile because of its high titanium dioxide content.

One method for the production of titanium dioxide with relevance to nanotechnology is solvothermal Synthesis of titanium dioxide.

Read more about this topic:  Titanium Dioxide

Famous quotes containing the word production:

    The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.
    Karl Marx (1818–1883)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.
    Adrienne Rich (b. 1929)