Plot
The Tiny Toon Adventures characters leave for their summer vacations after their term at Acme Looniversity ends. Babs and Buster Bunny have a water pistol fight, which eventually escalates into their flooding Acme Acres. The bunnies, along with Byron Basset, float from flooded Acme Acres down to the southern United States, where they continuously avoid getting eaten by the river's residents.
Plucky Duck joins Hamton J. Pig and Hampton's family as they drive to the amusement park HappyWorldLand. The trip turns out to be very long and painful for Plucky, who becomes annoyed with the family's habits and is almost killed by an escaped convict that the Pigs mistake for a hitchhiker.
Meanwhile, Elmyra Duff becomes upset after losing her cat Furrball. When her family visits a nature park, she tortures the zoo animals with her adoration. Fifi Le Fume spends time with film actor Johnny Pew, who is uninterested in Fifi. Fowlmouth and Shirley the Loon see Skunknophobia. Fifi and Johnny attend the same film. Fowlmouth continuously talks through the film and is thrown out of the theater. Fifi gets annoyed when Johnny takes her photograph of him and signs it for another girl. Fifi kicks Johnny out of the theater, causing him to end up with Elmyra and becoming her new "kitty".
After realizing they are the main course at a dinner theater on a showboat, Babs and Buster escape with the help of Byron. They are chased down by the hungry animals they met throughout their journey, but are rescued by a possum Buster had befriended earlier. The escaped convict returns and tries to kill them as well; Buster, Babs, Byron and the possum try to escape using a mine cart. The four end up falling down a "plot hole" which leads them through Wackyland and back to Acme Acres. The film ends with the characters' return to the Looniversity for the fall semester of school.
Read more about this topic: Tiny Toon Adventures: How I Spent My Vacation
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
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