Materials
No cans currently in wide use are composed primarily or wholly of tin; that term rather reflects the nearly exclusive use in cans, until the second half of the 20th century, of tinplate steel, which combined the physical strength and relatively low price of steel with the corrosion resistance of tin.
Use of aluminium in cans began in 1957. Aluminium is less costly than tin-plated steel but offers the same resistance to corrosion in addition to greater malleability, resulting in ease of manufacture; this gave rise to the two-piece can, where all but the top of the can is simply stamped out of a single piece of aluminium, rather than laboriously constructed from two pieces of steel. Often the top is tin-plated steel and the rest of the can aluminium.
A can usually has a printed paper or plastic label glued to the outside of the curved surface, indicating its contents. Some labels contain additional information, such as recipes, on the reverse side. A label can also be printed directly onto the metal.
In modern times, the majority of food cans in the UK have been lined with a plastic coating containing bisphenol A (BPA). The leaching of BPA into the can's contents is currently (as of early 2010) being investigated as a potential health hazard.
Read more about this topic: Tin Can
Famous quotes containing the word materials:
“The competent leader of men cares little for the niceties of other peoples’ characters: he cares much—everything—for the exterior uses to which they may be put.... These are men to be moved. How should he move them? He supplies the power; others simply the materials on which that power operates.”
—Woodrow Wilson (1856–1924)
“If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work”
—C. John Sommerville (20th century)
“He was no specialist except in the relation of things.... He took most of his materials at second hand.... But no matter who mined the gold, the image and superscription are his.”
—Woodrow Wilson (1856–1924)