The Eighties
After three years of intensive stage work (both in solo and duo shows, and as a member of Jones’ company ‘Silents’) Tim, alongside fellow mime partner Barbie Wilde, formed SHOCK: a rock/mime/burlesque/music troupe with Robert Pereno, Carole Caplin, LA Richards and Sean Crawford. SHOCK performed extensively in the burgeoning New Romantic club scene in London in the early 1980s. The first SHOCK single on RCA Records, ‘Angel Face’, (co-produced by Rusty Egan from Visage and Richard James Burgess from Landscape) was a modest dance floor hit in clubs all over the UK and in New York. SHOCK continued to play at the Blitz Club, The Venue, the Playboy Club, The Embassy Club, The Lyceum, and ‘The People’s Palace’ performance at the Rainbow Theatre. They supported Gary Numan for three nights at his ‘Farewell’ concerts at Wembley Arena in April 1981. Reduced to a four-piece ensemble after the abrupt departure of Robert and LA in June 1981, SHOCK released a second single, ‘Dynamo Beat’, on RCA, which again was a dance floor hit in UK clubs, but failed to chart nationwide.
Read more about this topic: Tim Dry
Famous quotes containing the word eighties:
“...the shiny-cheeked merchant bankers from London with eighties striped blue ties and white collars and double-barreled names and double chins and double-breasted suits, who said “ears” when they meant “yes” and “hice” when they meant “house” and “school” when they meant “Eton”...”
—John le Carré (b. 1931)
“Let’s just call what happened in the eighties the reclamation of motherhood . . . by women I knew and loved, hard-driving women with major careers who were after not just babies per se or motherhood per se, but after a reconciliation with their memories of their own mothers. So having a baby wasn’t just having a baby. It became a major healing.”
—Anne Taylor Fleming (20th century)