TIE Fighter - Origin and Design

Origin and Design

Industrial Light & Magic's (ILM) Colin Cantwell created the concept model that established the TIE fighter's ball-cockpit and hexagonal wing design for A New Hope. Initially given a blue color scheme, the TIE fighter models for the first Star Wars movie were grey to better film against a bluescreen; TIE fighters in the next two movies shifted back to being a muted blue. Sound designer Ben Burtt created the distinctive TIE fighter sound effect by combining an elephant call with a car driving on wet pavement.

Combat scenes between TIE fighters and the Millennium Falcon and Rebel X-wings in A New Hope were meant to be reminiscent of World War II dogfight footage; editors used World War II air combat clips as placeholders while Industrial Light and Magic completed the movie's special effects. The Jedi starfighter, created for Episode III: Revenge of the Sith, was designed to bridge the appearance of the Jedi starfighter in Episode II: Attack of the Clones and the TIE fighter design from the original trilogy. Dark Horse Comics' Sean Cooke designed the TIE predator in Star Wars: Legacy, set 130 years after the events of A New Hope, to appear both reminiscent of and more advanced than the original TIE fighter.

Read more about this topic:  TIE Fighter

Famous quotes containing the words origin and, origin and/or design:

    We have got rid of the fetish of the divine right of kings, and that slavery is of divine origin and authority. But the divine right of property has taken its place. The tendency plainly is towards ... “a government of the rich, by the rich, and for the rich.”
    Rutherford Birchard Hayes (1822–1893)

    Someone had literally run to earth
    In an old cellar hole in a byroad
    The origin of all the family there.
    Thence they were sprung, so numerous a tribe
    That now not all the houses left in town
    Made shift to shelter them without the help
    Of here and there a tent in grove and orchard.
    Robert Frost (1874–1963)

    I always consider the settlement of America with reverence and wonder, as the opening of a grand scene and design in providence, for the illumination of the ignorant and the emancipation of the slavish part of mankind all over the earth.
    John Adams (1735–1826)