Cultural Impact
A TIE fighter model used in filming the climax of A New Hope sold at auction for $350,000. Fans built a 16-foot-by-20-foot, 1,000-pound TIE fighter float to commemorate Star Wars' thirtieth anniversary as part of the 2007 Crystal Lake Gala Parade. A Wired editor's creation of a TIE fighter model out of Starbucks cups and stirrers prompted the magazine to create a contest for its readers to submit their own art out of similar Starbucks material.
Kenner released TIE fighter and TIE interceptor toys during the original Star Wars trilogy's theatrical release, and Kenner's die-cast TIE bomber is a rare collector's item. Hasbro also released TIE fighter, TIE bomber, and TIE interceptor toys. Both Kenner and Hasbro also manufactured TIE fighter pilot action figures. Lego manufactured TIE fighter, TIE bomber, TIE interceptor, TIE defender, and TIE advanced models. One of eight Lego mini-kit vehicles released in 2002 is a TIE advanced, and the pieces to all eight can be combined to create a TIE bomber. Lucasfilm members had access to a limited-edition mini-kit TIE fighter. Decipher and Wizards of the Coast published various TIE starfighter and TIE-related cards for the Star Wars Customizable Card Game and Star Wars Trading Card Game, respectively.
In 1994, LucasArts released the TIE Fighter flight simulator, which casts the player as an Imperial pilot flying a variety of TIE starfighters. TIE starfighter variants are also playable in Star Wars: Battlefront II and appear in other LucasArts Star Wars titles.
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Famous quotes containing the words cultural and/or impact:
“At times it seems that the media have become the mainstream culture in children’s lives. Parents have become the alternative. Americans once expected parents to raise their children in accordance with the dominant cultural messages. Today they are expected to raise their children in opposition to it.”
—Ellen Goodman (20th century)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)