Thyrza Nichols Goodeve - Background - Published Essays

Published Essays

  • The Artist’s Book: A matter of self-reflection, for One of A Kind: The Unique Artist’s Book, curated Heide Hatry, Pierre Menard Gallery, Cambridge, Mass, Spring, 2011.
  • Lesley Dill: “Words Have Wings that Fly from the Mouth of Others; Performance in the Art of Leslie Dill, 2008-2010,” Lesley Dill (Hunter Museum, Chattanooga, Tennessee, 2009
  • James Barsness: Icons of Comic Relief, George Adams Gallery, 1999.
  • Reflections On An Omnivorous Visualization System: An Interview With Matthew Ritchie. Proposition Player, catalogue essay, Houston Museum
  • Matthew Barney 95: Suspension Secretion Secret (biology), Parkett #45, November 1995.
  • Mariko Mori’s Cyborg Surrealism, Parkett Magazine, Winter 1999.
  • Hit By The Eidôlon: Abstraction as Phenomenal Experience, catalogue essay, 2011
  • How Like a Leaf: A Conversation with Donna Haraway, Routledge, 1999
  • Ellen Gallagherv, Anthony d’Offay, London
  • The Horror of No Longer Remembering The Reason or for Forgetting When then Time Comes The Troops Will Do The Remembering, Artforum 1989
  • How A Body Shaped By A Cat and A Cat Shaped by A Human Pioneered A New Species of Cinema in exhibition catalogue Carolee Schneemann, Boston: Pierre Menard Gallery, 2007
  • Tom Friedman, New York: Gagosian Gallery, 2006 (contributor: feature essay)
  • Reflections on an Omnivorous Vizualization System: An Interview with Matthew Ritchie, Contemporary Arts Museum, Houston, Texas, 2004
  • Louise Bourgeois New York, Phaidon Publications (with Paolo Herkenhoff)
  • Peter Halley: Maintain Speed, New York D.A.P., (contributor)
  • Matthew Barney-Tony Oursler-Jeff Wall, Sammlung Goetz:Munich, Germany 1996 (contributor)
  • Eileen Neff: “To See is Neither in nor of the Eye Essay on the photographs of Eileen Neff, Notes Towards A Supreme Fiction exhibition catalogue. Locks Gallery, Philadelphia, PA., 2004
  • Guggenheim A to Z, ed. Nancy Spector New York: Guggenheim Museum (contributor)
  • The American Art Book, New York, Phaidon Press, 1999 (contributor)
  • Cremaster 5 Matthew Barney catalogue (With a text by Thyrza Nichols Goodeve; Barbara Gladstone Gallery, New York; Frankfurt am Main; 1997
  • Icons of Comic Relief, James Barsness Icons of Comic Relief, catalogue text by Thyrza Nichols Goodeve and John Michael Kohler Art Center, Sheboygan, WI; 1997
  • The Spirit of the Doorway" James Barsness, Monster's Progress, Hard Press, West Stockbridge, MA, catalogue essay by Thyrza Nichols Goodeve, 1999
  • I Heard A Voice, The Art Of Lesley Dill, Words have Wings That Fly From The Mouths of Others: Performance and the Art of Lesley Dill catalogue essay text by Thyrza Nichols Goodeve, Hunter Museum of Art, Chattanooga, TN, 2008
  • TERROIR, The Alchemy of Capitalism, in Not A Rose by Heide Hatry (Charta Books, 2012)
  • Twilight of the Art World. From Representation to Ontology in the Work of Matthew Barney, in Embodied Fantasies, ed. Suzanne Anker and Sabine Flach, 2012.
  • The Wind Is Here But My Head is Not, in Heads and Tales by Heide Hatry (Charta Books, New York, 2009)
  • Meat is the Nobody, Meat After Meat Joy Catalogue, Pierre Menard Gallery, 2009
  • Michael Rees and Thyrza Goodeve: Conversation published at http://www.michaelrees.com
  • Excerpted in Model Behavior catalogue, Deborah Colton Gallery, Houston, Texas, 2009.
  • How A Body Shaped By A Cat and A Cat Shaped by A Human Pioneered A New Species of Cinema, exhibition catalogue Carolee Schneemann, (Boston: Pierre Menard Gallery) 2007.
  • Mythic Creatures: Dragons, Unicorns, and Mermaids A Review of Frogs: A Chorus of Colors at the American Museum of Natural History, The Brooklyn Rail, Summer 2007
  • The History Lesson: Flesh is Text As Much As Color : Ellen Gallager, Parkett Magazine, 2007.
  • What is Called Tom Friedman?, Tom Friedman, New York: Gagosian Gallery, 2006.
  • The Myth is a Muscle, The Muscle is a Code: Post-911 Notes on Matthew Barney’s Cremaster Cycle in Art Becomes You, ed. Henry Rogers, 2006
  • Archives and Gyms: Sports in the Art of Matthew Barney and Vito Acconci, Trans, fall 2001.
  • To Sit With The Speed Addict (essay on Sarah Morris’ work), Parkett, 61, 2001.
  • Index entry for Guggenheim: A-Z, ed. Nancy Spector. Directory to the Guggenheim Museum Collection. 2000.
  • “Richard Serra and the Brain: A Form Not Seen Before,” 2000. Artbrain.org
  • “To Make Is To Question: Vito Acconci 1968-2000.” Essay for 2000 Hugo Boss catalogue, The Solomon R. Guggenheim Museum, Fall 2000.
  • "The Spirit of the Doorway" in Monster's Progress: The Work of James Barsness, Hard Press, West Stockbridge, MA, catalogue essay, 1999.
  • Rainer Talking Pictures: An Interview with Yvonne Rainer, Art in America, 1997, also collected in Yvonne Rainer, A Woman Who: Essays, Interviews, Scripts (Johns Hopkins University Press, 1999).
  • You sober people...” Essay on psychopharmacology and cyborgs, in When Pain Strikes, ed. Bill Burns, Cathy Busby, Kathy Saw chuck (Minneapolis: University of Minnesota Press, 1999).
  • The New Generation of Shadows: Mediums, Automatons, and Liminal Insight in the Work of Tony Oursler. catalogue essay for Tony Oursler Retrospective (two year tour) Hanover Gallery, Germany, spring 1998.
  • The art of Public Address: Barbara Kruger, Cover Story, Art in America, Nov, 1997.
  • Euphoric Enthusiasm: Jeff Koons’ Celebration, Parkett #50, 1997.
  • PUPPY: The New Nature, Catalogue essay on Jeff Koons’ PUPPY for Guggenheim Museum, Bilbao (Spain), on the occasion of the museum’s opening. October 1997
  • These Are the Forms that We Live With: A Conversation with AZIZ+CUCHER, Exhibition catalogue, Reina Sofia Museum, Madrid, Spain, 1997.
  • Houdini’s Premonition: Virtuality and Vaudeville on the Internet, Leonardo Fifth Annual New York Digital Salon, October/November 1997.
  • Dream team: A Conversation with The Brothers Quay, Artforum, April, 1996.
  • Raymond Pettibon Reads Henry James, Parkett #47. Fall 1996.
  • Art as Encyclopedia, History as Vaudeville, (Cady Noland) Parkett #46, May 1996. Recollected in Parkett (book made for exhibition at The Museum of Modern Art).
  • Travels in Hypertrophia: An Interview with Matthew Barney, Artforum, May 1995, Reprinted with new introduction as The Logs He Carries Are Too Large: An Interview With Matthew Barney in Sammlung Goetz catalogue, Munich, Germany: Matthew Barney, Tony Oursler.
  • How Like A Goddess: An Interview with Allucquére Rosanne Stone, Artforum, September, 1995.
  • No Wound Ever Speaks For Itself, essay on the work of sound artist/theorist Gregory Whitehead, David Wojnarowicz’s Close to the Knives: A Memoir of Disintegration, and visual work by Karen Bermann. Artforum, January 1992.
  • The Horror of No Longer Remembering The Reason for Forgetting or, When then Time Comes The Troops Will Do The Remembering, Artforum, 1989. Special issue on “Wonder.”

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