Critical Reception
"Thriller" received positive reviews from contemporary music critics. Ashley Lasimone, of AOL's Spinner.com noted that "Thriller" "became a signature for Jackson" and described "the groove of its bassline, paired with Michael's killer vocals and sleek moves" as having had "produced a frighteningly great single." Jon Pareles, of The New York Times, noted that Thrillers tracks, "Billie Jean", "Beat It", "Wanna Be Startin' Somethin'" and "the movie in the song 'Thriller'", were the songs, unlike the "fluff" "P.Y.T.", that were "the hits that made Thriller a world-beater; along with Mr. Jackson's stage and video presence, listeners must have identified with his willingness to admit terror."
Ann Powers, of the Los Angeles Times, described "Thriller" as being a song that was "adequately groovy" with a "funked-out beat" with lyrics that are "seemingly lifted from some little kid's 'scary storybook'". After Jackson's death, AOL's Radio Blog released a list, titled "10 Best Michael Jackson Songs", which placed "Thriller" at number one. In 2009 Melissa Cabrera, of AOL Radio Blogs, listed "Thriller" as being the fourth best song on their "Top 100 '80s Songs" list. Eliot Glazer, AOL's Radio Blogs, placed "Thriller" at number one on a list titled "Top 1984 Songs". "Thriller" was also listed at number two on the "10 Best Halloween Songs" and "10 Best Party Songs" lists by AOLs Radio Blog.
Read more about this topic: Thriller (song)
Famous quotes containing the words critical and/or reception:
“I know that I will always be expected to have extra insight into black textsespecially texts by black women. A working-class Jewish woman from Brooklyn could become an expert on Shakespeare or Baudelaire, my students seemed to believe, if she mastered the language, the texts, and the critical literature. But they would not grant that a middle-class white man could ever be a trusted authority on Toni Morrison.”
—Claire Oberon Garcia, African American scholar and educator. Chronicle of Higher Education, p. B2 (July 27, 1994)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)