Composition
"Thriller" is considered an funk disco song. Set in the key of C♯ Modern Dorian, its instrumentation consists of synthesizer, guitar, trumpet, flugelhorn, saxophone, flute and trombone. The song has a moderate tempo of 118 beats per minute. The lyrics and sound effects on "Thriller" pertain to frightful elements and themes. Throughout the song, sound effects such as a creaking door, thunder, feet walking on wooden planks, winds and howling dogs can be heard. Bruce Cannon, a sound effects editor for "Thriller", said that, "Things like the lightning may have come from old Hollywood movies – we'll never know which movies – but the best sound-effects editors do go out in the desert and find a coyote, so I have a feeling that was a real howl." The backing track, especially the bassline, has certain similarities to the 1981 number-one R&B hit "Give It to Me Baby" by Rick James.
Read more about this topic: Thriller (song)
Famous quotes containing the word composition:
“Vices enter into the composition of virtues as poisons into the composition of certain medicines. Prudence and common sense mix them together, and make excellent use of them against the misfortunes that attend human life.”
—François, Duc De La Rochefoucauld (16131680)
“When I think of God, when I think of him as existent, and when I believe him to be existent, my idea of him neither increases nor diminishes. But as it is certain there is a great difference betwixt the simple conception of the existence of an object, and the belief of it, and as this difference lies not in the parts or composition of the idea which we conceive; it follows, that it must lie in the manner in which we conceive it.”
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“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)