Architecture
The design for the Thomas Gale House and the Parker House, and to some extent the Walter Gale House, were derived from the more expensive Emmond House in La Grange. The homes all feature irregular roof composition with high pitches and polygonal dormers. The Thomas Gale House reflects the style of Wright's first teacher Joseph Silsbee. Sullivan's influence can also be seen in the taut masses of the house, his philosophy of "geometric simplification" is evident in the Parker House's design. While generally cast in the Queen Anne style, the Parker House has more ample rounded forms than the common Queen Anne homes being built at the time.
The small size is deceiving as the Thomas Gale House is spacious. The turret bays have walls that are more than half consisted of windows. The fireplace is set in the center of the house which allows it to heat and service two rooms, the parlor and the dining room. The side elevations of the Gale House are symmetrical but adjacent buildings are built too close for the design to be seen clearly.
The house is designed in a rectangular plan and is supported by a stone foundation. The exterior is clad in wooden clapboard. The building has a high-pitched, hip roof which features polygonal dormers, a brick chimney and overhanging eaves (a feature that would later become common to Wright's Prairie style). On the northeast and southeast corners of the building are polygonal towers with conical roofs. The tower windows, arranged in horizontal bands (another common Prairie element), are a mix of casement windows and fixed windows. The current front porch replaced a non-original porch with iron railings. The non-original porch is seen in illustrations in the architectural guide map published by the Frank Lloyd Wright Preservation Trust. The front elevation also has a dormer with a pair of casement windows.
Read more about this topic: Thomas H. Gale House
Famous quotes containing the word architecture:
“All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks.”
—Gilbert Keith Chesterton (1874–1936)
“Art is a jealous mistress, and if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider, and should be wise in season and not fetter himself with duties which will embitter his days and spoil him for his proper work.”
—Ralph Waldo Emerson (1803–1882)
“Polarized light showed the secret architecture of bodies; and when the second-sight of the mind is opened, now one color or form or gesture, and now another, has a pungency, as if a more interior ray had been emitted, disclosing its deep holdings in the frame of things.”
—Ralph Waldo Emerson (1803–1882)