Forms
Gray considered his two Pindaric odes, The Progress of Poesy and The Bard, as his best works. Pindaric odes are to be written with fire and passion, unlike the calmer and more reflective Horatian odes such as Ode on a distant Prospect of Eton College. The Bard tells of a wild Welsh poet cursing the Norman king Edward I after his conquest of Wales and prophesying in detail the downfall of the House of Plantagenet. It is melodramatic, and ends with the bard hurling himself to his death from the top of a mountain.
When his duties allowed, Gray travelled widely throughout Britain to places such as Yorkshire, Derbyshire, and Scotland in search of picturesque landscapes and ancient monuments. These elements were not generally been valued in the early 18th century, when the popular taste ran to classical styles in architecture and literature, and most people liked their scenery tame and well-tended. Some have seen Gray’s writings on this topic, and the Gothic details that appear in his Elegy and The Bard as the first foreshadowing of the Romantic movement that dominated the early 19th century, when William Wordsworth and the other Lake poets taught people to value the picturesque, the sublime, and the Gothic. Gray combined traditional forms and poetic diction with new topics and modes of expression, and may be considered as a classically focused precursor of the romantic revival.
Gray's connection to the Romantic poets is vexed. In the prefaces to the 1800 and 1802 editions of Wordsworth's and Samuel Taylor Coleridge's Lyrical Ballads, Wordsworth singled out Gray's, "Sonnet on the Death of Richard West," to exemplify what he found most objectionable in poetry, declaring it was
"Gray, who was at the head of those who, by their reasonings, have attempted to widen the space of separation betwixt prose and metrical composition, and was more than any other man curiously elaborate in the structure of his own poetic diction."
Gray wrote in a letter to West, that "the language of the age is never the language of poetry."
Read more about this topic: Thomas Gray
Famous quotes containing the word forms:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
““There is no exquisite beauty,” says Bacon, Lord Verulam, speaking truly of all the forms and genera of beauty, “without some strangeness in the proportion.””
—Edgar Allan Poe (1809–1849)
“I have always thought that one man of tolerable abilities may work great changes, and accomplish great affairs among mankind, if he first forms a good plan, and, cutting off all amusements or other employments that would divert his attention, make the execution of that same plan his sole study and business.”
—Benjamin Franklin (1706–1790)