Literary Works
As a young man he composed the ballads Ivry and The Armada, which he later included as part of Lays of Ancient Rome, a series of very popular ballads about heroic episodes in Roman history which he composed in India and published in 1842. The most famous of them, Horatius, concerns the heroism of Horatius Cocles. It contains the oft-quoted lines:
Then out spake brave Horatius,
The Captain of the Gate:
"To every man upon this earth
Death cometh soon or late.
And how can man die better
Than facing fearful odds,
For the ashes of his fathers,
And the temples of his gods?"
During the 1840s he began work on his most famous work, The History of England from the Accession of James the Second, publishing the first two volumes in 1848. At first, he had planned to bring his history down to the reign of George III. After publication of his first two volumes, his hope was to complete his work with the death of Queen Anne in 1714. The third and fourth volumes, bringing the history to the Peace of Ryswick, were published in 1855. However, at his death in 1859, he was working on the fifth volume. This, bringing the History down to the death of William III, was prepared for publication by his sister, Lady Trevelyan, after his death.
Macaulay's political writings are famous for their ringing prose and for their confident, sometimes dogmatic, emphasis on a progressive model of British history, according to which the country threw off superstition, autocracy and confusion to create a balanced constitution and a forward-looking culture combined with freedom of belief and expression. This model of human progress has been called the Whig interpretation of history. This philosophy appears most clearly in the essays Macaulay wrote for the Edinburgh Review and other publications, which were collected in book form and a steady bestseller throughout the 19th century. But it is also reflected in the History; the most stirring passages in the work are those that describe the "Glorious Revolution" of 1688. Macaulay's approach has been criticised by later historians for its one-sidedness and its complacency. Karl Marx referred to him as a 'systematic falsifier of history'. His tendency to see history as a drama led him to treat figures whose views he opposed as if they were villains, while characters he approved of were presented as heroes. Macaulay goes to considerable length, for example, to absolve his main hero William III of any responsibility for the Glencoe massacre. Winston Churchill devoted a four volume biography of the Duke of Marlborough to rebutting Macaulay's slights of his ancestor, expressing hope 'to fasten the label "Liar" to his genteel coat-tails.' On the other hand, this outlook, together with his obvious love of his subject matter and of English civilization, helps to place the reader within the age being described in a personal way that no cold neutrality could, and Macaulay's History is generally recognized as one of the masterpieces of historical writing and a magisterial literary triumph only comparable as such to Gibbon and Michelet.
Read more about this topic: Thomas Babington Macaulay, 1st Baron Macaulay
Famous quotes containing the words literary works, literary and/or works:
“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (1898–1956)
“Whenever the literary German dives into a sentence, that is the last you are going to see of him till he emerges on the other side of his Atlantic with his verb in his mouth.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“The whole idea of image is so confused. On the one hand, Madison Avenue is worried about the image of the players in a tennis tour. On the other hand, sports events are often sponsored by the makers of junk food, beer, and cigarettes. What’s the message when an athlete who works at keeping her body fit is sponsored by a sugar-filled snack that does more harm than good?”
—Martina Navratilova (b. 1956)