Works
Thom Brennan's music is realized almost exclusively with synthesizers, with rare use of samples and without any acoustic instrument. His production consist mostly of beatless soundscapes; however, in a few works which he himself calls rhythmic journeys, Brennan employs percussive sounds and, more frequently, rhythmic synth patterns or timbral movements.
His first work, Mountains, was recorded on a 2 track stereo cassette deck in 1987; it was inspired by memories of Thom Brennan's childhood on an island in the East China Sea. This album was one of the most ambitious works of the so called Los Angeles school; Steve Roach helped with the production.
His compositions are largely inspired by nature, especially by American Southwest landscapes and by Pacific Northwest forests. All this results in a neo-classical ambient impressionism distinguished by a strong visual approach, as shown in albums like Mist and others he has recorded, starting from 2001, after a move to Seattle.
In addition to his solo productions, Brennan appeared in collaboration with other well-known ambient composers such as Steve Roach and Kevin Braheny on Western Spaces (1987) and Vidna Obmana on Amplexus: Collected Works from the 1995 Ltd Series (1997). However, all of Thom Brennan's main works are self-productions, and since the beginning of his career he has chosen the World Wide Web as the primary channel of distribution. Today he continues working as an independent artist, publishing his releases through his own label, Raingarden SoundWorks.
Read more about this topic: Thom Brennan
Famous quotes containing the word works:
“Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.”
—Henry David Thoreau (1817–1862)
“Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.”
—bell hooks (b. c. 1955)
“It is the art of mankind to polish the world, and every one who works is scrubbing in some part.”
—Henry David Thoreau (1817–1862)