Works
Thom Brennan's music is realized almost exclusively with synthesizers, with rare use of samples and without any acoustic instrument. His production consist mostly of beatless soundscapes; however, in a few works which he himself calls rhythmic journeys, Brennan employs percussive sounds and, more frequently, rhythmic synth patterns or timbral movements.
His first work, Mountains, was recorded on a 2 track stereo cassette deck in 1987; it was inspired by memories of Thom Brennan's childhood on an island in the East China Sea. This album was one of the most ambitious works of the so called Los Angeles school; Steve Roach helped with the production.
His compositions are largely inspired by nature, especially by American Southwest landscapes and by Pacific Northwest forests. All this results in a neo-classical ambient impressionism distinguished by a strong visual approach, as shown in albums like Mist and others he has recorded, starting from 2001, after a move to Seattle.
In addition to his solo productions, Brennan appeared in collaboration with other well-known ambient composers such as Steve Roach and Kevin Braheny on Western Spaces (1987) and Vidna Obmana on Amplexus: Collected Works from the 1995 Ltd Series (1997). However, all of Thom Brennan's main works are self-productions, and since the beginning of his career he has chosen the World Wide Web as the primary channel of distribution. Today he continues working as an independent artist, publishing his releases through his own label, Raingarden SoundWorks.
Read more about this topic: Thom Brennan
Famous quotes containing the word works:
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)
“My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
—Hannah More (1745–1833)
“Now they express
All that’s content to wear a worn-out coat,
All actions done in patient hopelessness,
All that ignores the silences of death,
Thinking no further than the hand can hold,
All that grows old,
Yet works on uselessly with shortened breath.”
—Philip Larkin (1922–1986)