This Charming Man - Reception

Reception

On release, the song received near unanimous critical praise. Paul Morley of the NME wrote, "'This Charming Man' is an accessible bliss, and seriously moving. This group fully understand that the casual is not enough ... This is one of the greatest singles of the year, a poor compliment. Unique and indispensable, like 'Blue Monday' and 'Karma Chameleon' - that's better!" A contemporary review in The Face asked, "Where has all the wildness and daring got to? Some of it has found its way onto The Smiths' record, 'This Charming Man'. It jangles and crashes and Morrissey jumps in the middle with his mutant choir-boy voice, sounding jolly and angst-ridden at the same time. It should be given out on street corners to unsuspecting passers-by of all ages." While the band was little-known in the United States at the time, Robert Palmer of The New York Times described the song as "sparkling, soaring, superlative pop-rock, and proof that the guitar-band format pioneered by The Beatles is still viable for groups with something to say". The following year Palmer chose the song as the second best single of 1984.

Allmusic's Ned Raggett noted that "Early Elvis would have approved of the music, Wilde of the words", and described the track as "an audacious end result by any standard". Tim DiGravina, of the same organization, wrote that "Debating the merits of the track here would be a bit pointless, as it's a classic song from one of the last great classic bands. It might as well be called 'This Charming Song'." In 2007, Oasis songwriter Noel Gallagher described the first time he heard the track: "The second I heard 'This Charming Man' everything made sense. The sound of that guitar intro was incredible. The lyrics are fuckin' amazing, too. People say Morrissey's a miserable cunt, but I knew straight away what he was on about."

During an appearance on Top of the Pops, Morrissey appeared waving gladioli. A 2004 BBC Radio 2 feature on the song noted that the performance was most people's introduction to The Smiths and, "therefore, to the weird, wordy world of Morrissey and the music of Johnny Marr". Uncut magazine, commentating on the nationally televised debut, wrote that "Thursday evening when Manchester's feyest first appeared on Top of the Pops would be an unexpected pivotal cultural event in the lives of a million serious English boys. His very English, camp glumness was a revolt into Sixties kitchen-sink greyness against the gaudiness of the Eighties New Wave music, as exemplified by Culture Club and their ilk. The Smiths' subject matter may have been 'squalid' but there was a purity of purpose about them that you messed with at your peril." Noel Gallagher said of the performance: "None of my mates liked them — they were more hooligan types. They came into work and said 'Fuckin' hell, did you see that poof on "Top of the Pops" with the bush in his back pocket?' But I thought it was life-changing."