Other Thirteenth Chords
These voice leading guidelines may not be followed after the common practice period in techniques such as parallel harmony and in the following example:
13th chords may less often be built on degrees other than the dominant, such as the tonic or subdominant.
While the dominant thirteenth is the most common thirteenth chord, the major thirteenth is also fairly common. A major thirteenth chord (containing a major seventh) will nearly always feature a chromatically raised eleventh (C E G B D F♯ A) (see lydian mode), except for cases when the eleventh is omitted altogether. "It is customary to omit the eleventh on dominant or major thirteenth chords because the eleventh conflicts with the third," in these chords by a semitone.
Read more about this topic: Thirteenth
Famous quotes containing the words thirteenth and/or chords:
“Just as the French of the nineteenth century invested their surplus capital in a railway-system in the belief that they would make money by it in this life, in the thirteenth they trusted their money to the Queen of Heaven because of their belief in her power to repay it with interest in the life to come.”
—Henry Brooks Adams (1838–1918)
“To be a poet is to have a soul so quick to discern, that no shade of quality escapes it, and so quick to feel, that discernment is but a hand playing with finely-ordered variety on the chords of emotion—a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge. One may have that condition by fits only.”
—George Eliot [Mary Ann (or Marian)