Members
A number of musicians have passed through Thinking Plague over the years, except for Mike Johnson who has remained with the group since its inception. The dates below indicate the years that they were active in the group.
- Mike Johnson (1982–present) – guitars, drums, percussion, vocals
- Bob Drake (1982–1994) – bass guitar, drums, percussion, vocals, guitar, bowed balalaika, synthesizer, piano, organ, noise, violin
- Sharon Bradford (1982–1984) – vocals, noise, casio mini-synth, drake noise box
- Harry Fleishman (1982–1984) – piano, organ, vocals
- Rick Arsenault (1982–1983) – drums
- Mark Fuller (1983–1988) – drums
- Susanne Lewis (1985–1990) – vocals
- Eric Moon as known as Eric Jacobson (1985–1988) – keyboards
- Lawrence Haugseth (1987–1988) – clarinet, synthesizer, vocals
- Mark Harris (1988–present) – baritone saxophone, clarinet, flute
- Shane Hotle (1988–1998) – piano, synthesizer, noise, organ, mellotron
- Maria Moran (1988–1989) – bass guitar, guitars
- Dave Kerman (1989–2000; 2007–2010) – drums, percussion
- Stevan Kovacs Tickmayer (2008) – keyboards, zither, processing, bass, voice
- Dave Willey (1996–present) – bass guitar, accordion
- Deborah Perry (1996–2008) – vocals
- Matt Mitchell (1999–2004) – keyboards
- David Shamrock (2001–2004) – drums, percussion
- Elaine Difalco (2008–present) – vocals
- Kimara Sajn (2009–present) – drums, percussion, keyboards, vocals
- Robin Chestnut (2011–present) – drums, percussion
- Bill Pohl (2013–present) – guitars
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Famous quotes containing the word members:
“It took six weeks of debate in the Senate to get the Arms Embargo Law repealed—and we face other delays during the present session because most of the Members of the Congress are thinking in terms of next Autumn’s election. However, that is one of the prices that we who live in democracies have to pay. It is, however, worth paying, if all of us can avoid the type of government under which the unfortunate population of Germany and Russia must exist.”
—Franklin D. Roosevelt (1882–1945)
“...wasting the energies of the race by neglecting to develop the intelligence of the members to whom its most precious resources must be entrusted, already seems a childish absurdity.”
—Anna Eugenia Morgan (1845–1909)
“... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didn’t learn to endure. To survive, we had to be horses and we were.”
—Helen Hayes (1900–1993)