Characters
Okonkwo is the novel's protagonist. He has three wives and eight children, and is a brave and rash Umuofian (Nigerian) warrior and a clan leader. Unlike most, he cares more for his daughter than his son, Nwoye (who is later called Isaac), who he believes is weak. Okonkwo is the son of the effeminate and lazy Unoka, a man he resents for his weaknesses. Okonkwo strives to make his way in a culture that traditionally values manliness. As a young man he defeated the village's best wrestler, earning him lasting prestige. He therefore rejects everything for which he believes his father stood; Unoka was idle, poor, profligate, cowardly, gentle, and interested in music and conversation. Okonkwo consciously adopts opposite ideals and becomes productive, wealthy, brave, violent, and opposed to music and anything else that he perceives to be "soft," such as conversation and emotion. He is stoic to a fault. He is also the hardest-working member of his clan. Okonkwo's life is dominated by fear of failure and of weakness—the fear that he will resemble his father. Ironically, in all his efforts not to end up like his father, he commits suicide, becoming in his culture an abomination to the Earth and rebuked by the tribe as his father was (Unoka died from swelling and was likewise considered an abomination). Okonkwo's suicide represents not only his culture's rejection of him, but his rejection of the changes in his people's culture, as he realizes that the Igbo society that he so valued has been forever altered by the Christian missionaries.
Read more about this topic: Things Fall Apart
Famous quotes containing the word characters:
“We are like travellers using the cinders of a volcano to roast their eggs. Whilst we see that it always stands ready to clothe what we would say, we cannot avoid the question whether the characters are not significant of themselves.”
—Ralph Waldo Emerson (1803–1882)
“For the most part, only the light characters travel. Who are you that have no task to keep you at home?”
—Ralph Waldo Emerson (1803–1882)
“There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.”
—George Eliot [Mary Ann (or Marian)