Cover Art and Packaging
The original LP cover was designed as a spoof of a 12-by-16-inch (305 by 406 mm) multiple-paged small-town English newspaper, entitled The St. Cleve Chronicle and Linwell Advertiser, with articles, competitions, adverts, etc., lampooning the parochial and amateurish local journalism that still exists in many places today, as well as certain classical album covers. Jethro Tull's official website states about the mock-newspaper: "There are a lot of inside puns, cleverly hidden continuing jokes (such as the experimental non-rabbit), a surprisingly frank review of the album itself, and even a little naughty connect-the-dots children's activity." The "newspaper", dated 7 January 1972, also includes the entire lyrics to "Thick as a Brick" (printed on page 7), which is presented as a poem written by an 8-year-old literary prodigy, Gerald "Little Milton" Bostock, whose disqualification from a poetry contest is the focus of the front page story. This article claims that although Bostock initially won the contest with "Thick as a Brick," the judges' decision was repealed after a multitude of protests and threats concerning the offensive nature of the poem, furthered by allegations of the boy's psychological instability. Throughout the newspaper's many articles are subtly scattered various references to the lyrics, to Gerald Bostock, to Jethro Tull, and to other peculiar parts of the newspaper itself. The satirical newspaper was heavily abridged for conventional CD booklets, but the 25th Anniversary Special Edition CD cover is much closer to the original, and the 40th anniversary boxed version contains a nearly-complete replica of the original newspaper, missing only an article spoofing former U.S. Tull distributor Reprise Records.
Read more about this topic: Thick As A Brick
Famous quotes containing the words cover and/or art:
“Every individual ought to know at least one poet from cover to cover: if not as a guide through the world, then as a yardstick for the language.”
—Joseph Brodsky (b. 1940)
“In the wildest nature, there is not only the material of the most cultivated life, and a sort of anticipation of the last result, but a greater refinement already than is ever attained by man.... Nature is prepared to welcome into her scenery the finest work of human art, for she is herself an art so cunning that the artist never appears in his work.”
—Henry David Thoreau (1817–1862)