Theora - Technical Details

Technical Details

Theora is a variable-bitrate, DCT-based video compression scheme. Like most common video codecs, Theora also uses chroma subsampling, block-based motion compensation and an 8-by-8 DCT block. Pixels are grouped into various structures, namely super blocks, blocks and macroblocks. Theora supports intra-coded frames and forward-predictive frames, but not bi-predictive frames which are found in H.264 and VC-1. Theora also does not support interlacing, or bit-depths larger than 8 bits per component.

Theora video streams can be stored in any suitable container format. Most commonly it is found in the Ogg container with Vorbis or FLAC audio streams which provides a completely open, royalty-free multimedia format. It can also be used with the Matroska container.

The Theora video-compression format is essentially compatible with the VP3 video-compression format, consisting of a backward-compatible superset. Theora is a superset of VP3, and VP3 streams (with some minor syntactic modifications) can be converted into Theora streams without recompression (but not vice versa). VP3 video compression can be decoded using Theora implementations, but Theora video compression usually cannot be decoded using old VP3 implementations.

Read more about this topic:  Theora

Famous quotes containing the words technical and/or details:

    When you see something that is technically sweet, you go ahead and do it and you argue about what to do about it only after you have had your technical success. That is the way it was with the atomic bomb.
    J. Robert Oppenheimer (1904–1967)

    Working women today are trying to achieve in the work world what men have achieved all along—but men have always had the help of a woman at home who took care of all the other details of living! Today the working woman is also that woman at home, and without support services in the workplace and a respect for the work women do within and outside the home, the attempt to do both is taking its toll—on women, on men, and on our children.
    Jeanne Elium (20th century)