Blonde Women
Hitchcock had a dramatic preference for blonde women, stating that the audience would be more suspicious of a brunette. Many of these blondes were of the Grace Kelly variety: perfect, aloof ice goddesses, who also have a hidden red-hot inner fire.
In Vertigo James Stewart forces a woman to dye her hair blonde. One of Hitchcock's earliest films, The Lodger (1927), features a serial killer who stalks blonde women. Blonde actress Anny Ondra famously starred in Hitchcock's first sound film Blackmail (1929).
Hitchcock said he used blonde actresses in his films, not because of an attraction to them, but because of a tradition that began with silent star Mary Pickford. The director said that blondes were "a symbol of the heroine". He also thought they photographed better in black and white, which was the predominant film for most dramas for many years.
In Family Plot, Karen Black plays a kidnapper who wears a blonde wig and sunglasses as a disguise. Other notable blonde women include Tippi Hendren in The Birds, Dany Robin in Topaz, Barbara Leigh-Hunt in Frenzy, Janet Leigh in Psycho, Grace Kelly in Rear Window and Dial M for Murder, Eva Marie Saint in North by Northwest and Kim Novak in Vertigo.
Read more about this topic: Themes And Plot Devices In The Films Of Alfred Hitchcock
Famous quotes containing the words blonde and/or women:
“When Brad doesn’t come nights, you’ll know the blonde he’s sitting up with is a giraffe.”
—Fredric M. Frank (1911–1977)
“Some women can be fooled all of the time, and all women can be fooled some of the time, but the same woman can’t be fooled by the same man in the same way more than half of the time.”
—Helen Rowland (1875–1950)