Thematic Development of Italian Renaissance Painting/subjects/secular Paintings

Famous quotes containing the words development, italian, renaissance, painting, subjects, secular and/or paintings:

    I hope I may claim in the present work to have made it probable that the laws of arithmetic are analytic judgments and consequently a priori. Arithmetic thus becomes simply a development of logic, and every proposition of arithmetic a law of logic, albeit a derivative one. To apply arithmetic in the physical sciences is to bring logic to bear on observed facts; calculation becomes deduction.
    Gottlob Frege (1848–1925)

    If the study of his images
    Is the study of man, this image of Saturday,
    This Italian symbol, this Southern landscape, is like
    A waking, as in images we awake,
    Within the very object that we seek,
    Participants of its being.
    Wallace Stevens (1879–1955)

    People nowadays like to be together not in the old-fashioned way of, say, mingling on the piazza of an Italian Renaissance city, but, instead, huddled together in traffic jams, bus queues, on escalators and so on. It’s a new kind of togetherness which may seem totally alien, but it’s the togetherness of modern technology.
    —J.G. (James Graham)

    I never wanted to live an unembellished life, and I have never done it.... Living under such a compulsion has been like painting pictures of life, and I don’t take kindly to suggestions that I might have been less egotistically employed had I become a trained nurse.
    Margaret Anderson (1886–1973)

    There are few places outside his own play where a child can contribute to the world in which he finds himself. His world: dominated by adults who tell him what to do and when to do it—benevolent tyrants who dispense gifts to their “good” subjects and punishment to their “bad” ones, who are amused at the “cleverness” of children and annoyed by their “stupidities.”
    Viola Spolin (b. 1911)

    The freeway experience ... is the only secular communion Los Angeles has.... Actual participation requires a total surrender, a concentration so intense as to seem a kind of narcosis, a rapture-of-the-freeway. The mind goes clean. The rhythm takes over.
    Joan Didion (b. 1935)

    It is not your paintings I like, it is your painting.
    Albert Camus (1913–1960)