Thematic Development Of Italian Renaissance Painting
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo's Last Judgement of the 1530s.
The themes that preoccupied painters of the Italian Renaissance were those of both subject matter and execution- what was painted and the style in which it was painted. The artist had far more freedom of both subject and style than did a Medieval painter. Certain characteristic elements of Renaissance painting evolved a great deal during the period. These include perspective, both in terms of how it was achieved and the effect to which it was applied, and realism, particularly in the depiction of humanity, either as symbolic, portrait or narrative element.
Read more about Thematic Development Of Italian Renaissance Painting: Themes, Elements of Renaissance Painting, Subjects, See Also
Famous quotes containing the words development, italian, renaissance and/or painting:
“Fascism, the more it considers and observes the future and the development of humanity, quite apart from political considerations of the moment, believes neither in the possibility nor the utility of perpetual peace.”
—Benito Mussolini (1883–1945)
“Master of Trinity: Is he an Italian?
Harold Abrahams: Of Italian extraction, yes.
Master of Trinity: I see.
Harold Abrahams: But not all Italian.
Master of Trinity: I’m relieved to hear it.
Harold Abrahams: He’s half-Arab.”
—Colin Welland (b. 1934)
“People nowadays like to be together not in the old-fashioned way of, say, mingling on the piazza of an Italian Renaissance city, but, instead, huddled together in traffic jams, bus queues, on escalators and so on. It’s a new kind of togetherness which may seem totally alien, but it’s the togetherness of modern technology.”
—J.G. (James Graham)
“Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness, to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.”
—Ralph Waldo Emerson (1803–1882)