Critical Evaluation
In his introduction, which is probably the most interesting thing in the book, James wrote that these plays were designed to be mostly mindless: "a short comedy, the broader the better, thoroughly simple, intensely pleasant, affording a liberal chance to a young sympathetic comedian, calling for as little acting as possible besides, skirting the fairy-tale, straining any and every point for the agreeable falsity, entailing no expense in mounting, and supremely susceptible of being played to audiences unaccustomed to beating around the bush for their amusement—audiences, to be perfectly honest, in country towns."
Henry James was not the sort of writer who could produce a masterpiece, or even acceptable fluff, under these constraints. As mentioned before, the figure of Paul Doubleday—suspected of irresponsibility but in fact thoroughly dependable—might have made for a clever James short story. But when such a character gets ground into a farce meant to be brainless entertainment, any real interest he might have generated disappears.
By the way, The Reprobate did receive a few performances after James' death. The reviews were mixed. The Times critic liked it: "a plain tale in plain language, an action all bustle and snap, characters all the broadest, drollest caricatures." But Arnold Bennett gave the usual verdict on James in his playwriting efforts: "an unusually able and gifted man trying to so something for which his talents were utterly unfitted."
Read more about this topic: Theatricals: Second Series
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