Theatrical Makeup - Makeup and Lighting - Light's Effect On Makeup

Light's Effect On Makeup

  • Pink tends to gray the cool colors and intensify the warm ones. Yellow becomes more orange.
  • Flesh pink flatters most makeup.
  • Fire red ruins makeup. All but the darker flesh tones virtually disappear. Light and medium rouge fade into the foundation, whereas the dark red rouges turn a reddish brown. Yellow becomes orange, and the cool shading colors become shades of gray and black.
  • Bastard amber is flattering because it picks up the warm pinks and flesh tones in the makeup.
  • Amber and orange intensify and yellow most flesh colors. They turn rouges more orange. Cool colors are grayed.
  • Green grays all flesh tones and rouges in proportion to its intensity. Green will be intensified. Yellow and blue will become greener.
  • Light blue-green lowers the intensity of the base colors. One should generally use very little rouge under this type of light.
  • Green-blue washes out pale flesh tones, and will gray medium and deep flesh tones, as well as all reds.
  • Blues gray most flesh tones and cause them to appear more red or purple.
  • Violet causes orange, flame, and scarlet to become redder. Rouge appears more intense.
  • Purple affects makeup like violet lighting, except reds and oranges will be even more intense, and most blues will look violet.

Read more about this topic:  Theatrical Makeup, Makeup and Lighting

Famous quotes containing the words light, effect and/or makeup:

    If you have done terrible things, you must endure terrible things; for thus the sacred light of injustice shines bright.
    Sophocles (497–406/5 B.C.)

    Mix salt and sand, and it shall puzzle the wisest of men, with his mere natural appliances, to separate all the grains of sand from all the grains of salt; but a shower of rain will effect the same object in ten minutes.
    Thomas Henry Huxley (1825–95)

    In the middle of the next century, when the literary establishment will reflect the multicultural makeup of this country and not be dominated by assimiliationists with similar tastes, from similar backgrounds, and of similar pretensions, Langston Hughes will be to the twentieth century what Walt Whitman was to the nineteenth.
    Ishmael Reed (b. 1938)