Theater drapes and stage curtains are large pieces of cloth that are designed to mask backstage areas of a theater from spectators. They are designed for a variety of specific purposes and come in several types; many are made from black or other dark colored, light-absorbing material, and heavyweight velour is the current industry standard for these. Theater drapes represent a portion of any production's soft goods, a category which includes any cloth-based element of the stage or scenery (though not including cloth theater costumes or wardrobe).
Proscenium stages use a greater variety of drapes than arena or thrust stages. In proscenium theaters, drapes are typically suspended from battens that are controlled by a fly system (i.e., they are "flown", in theater terminology). When a drape is flown, the task of adjusting its height for best masking effect is simplified and, in the case of a drape that must be moved during a performance, this enables the drape to be quickly raised above the proscenium arch—thus positioning it out of view of spectators—or lowered to any arbitrary height above the stage, as required.
Famous quotes containing the words theater, stage and/or curtains:
“screenwriter
Tony Pastor, the pioneer of vaudeville, played the theater in 1876.... He had been preceded by P.T. Barnum, and an occasional performer such as Professor Simmons, “Great, Weird, Wondrous, and Invincibly Incomprehensible ... Basiliconthamaturgist.””
—State of Utah, U.S. public relief program (1935-1943)
“If any proof were needed of the progress of the cause for which I have worked, it is here tonight. The presence on the stage of these college women, and in the audience of all those college girls who will some day be the nation’s greatest strength, will tell their own story to the world.”
—Susan B. Anthony (1820–1906)
“I am black and beautiful, O daughters of Jerusalem, like the tents of Kedar, like the curtains of Solomon.”
—Bible: Hebrew, Song of Solomon 1:5.