Theater Auf Der Wieden - Structure

Structure

The theater was a three-story structure having a divided parterre (ground level) and two galleries (balconies). The external walls and roof were of brick and the interior was of wood. According to Krzeszowiak the theater had "very good acoustics". No description of the theater's capacity survives. The dimensions of the theater were 30 by 15 meters; Buch judges that the theater must have held over 500 spectators; Honolka estimates 800, then 1000 following an expansion carried out by Emanuel Schikaneder.

The stage area was substantial, forming 12 meters of 30 meter length of the building. Honolka judges that it was "planned from the beginning for opulent scenic design." Examining the plays and librettos of Emanuel Schikaneder, Buch infers "a mechanical stage with three trap doors, movable flats and backdrops, and devices to accommodate flying machines, storms, sea battles, and similar effects."

Read more about this topic:  Theater Auf Der Wieden

Famous quotes containing the word structure:

    Why does philosophy use concepts and why does faith use symbols if both try to express the same ultimate? The answer, of course, is that the relation to the ultimate is not the same in each case. The philosophical relation is in principle a detached description of the basic structure in which the ultimate manifests itself. The relation of faith is in principle an involved expression of concern about the meaning of the ultimate for the faithful.
    Paul Tillich (1886–1965)

    The syntactic component of a grammar must specify, for each sentence, a deep structure that determines its semantic interpretation and a surface structure that determines its phonetic interpretation.
    Noam Chomsky (b. 1928)

    ... the structure of our public morality crashed to earth. Above its grave a tombstone read, “Be tolerant—even of evil.” Logically the next step would be to say to our commonwealth’s criminals, “I disagree that it’s all right to rob and murder, but naturally I respect your opinion.” Tolerance is only complacence when it makes no distinction between right and wrong.
    Sarah Patton Boyle, U.S. civil rights activist and author. The Desegregated Heart, part 2, ch. 2 (1962)