The Yellow House (painting) - Genesis

Genesis

The painting was executed in September 1888, at which time van Gogh sent a sketch of the composition to his brother Theo:

Also a sketch of a 30 square canvas representing the house and its setting under a sulphur sun under a pure cobalt sky. The theme is a hard one! But that is exactly why I want to conquer it. Because it is fantastic, these yellow houses in the sun and also the incomparable freshness of the blue. All the ground is yellow too. I will soon send you a better drawing of it than this sketch out of my head.

The house on the left is yellow with green shutters. It's the one that is shaded by a tree. This is the restaurant where I go to dine every day. My friend the factor is at the end of the street on the left, between the two bridges of the railroad. The night café that I painted is not in the picture, it is on the left of the restaurant.

Milliet finds this horrible, but I don't need to tell you that when he says he doesn't understand that one can have fun doing a common grocer's shop and the stiff and proper houses without any grace, but I remember that Zola did a certain boulevard in the beginning of L'assommoir, and Flaubert a corner of the embankment of the Villette in the dog days in the beginning of Bouvard and Pécuchet which are not to be sneezed at.

Initially, van Gogh titled the painting as The House and its environment (French: La Maison et son entourage). Later he opted for a more meaningful title and called it The Street (French: La Rue), paying homage to a suite of sketches showing streets in Paris, by Jean-François Raffaëlli, and recently published in Le Figaro.

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