Plot
The story opens with various couples going into a barn to attend a barn dance. All of them sway to the rhythm of the music. Wally Walrus is the doorman who collects the tickets as they enter. Admission to the dance is $1, which entitles each purchaser to a ticket to "Free Eats." Woody Woodpecker is in a haystack sleepily watching the dancers go by. He sees by his watch that it's dinnertime, and he realizes that he's hungry. His glance falls on the "Free Eats" sign, so he proceeds to follow the crowd into the barn. He hands a rubber dollar bill to Wally, who discovers it after Woody has entered the barn. Woody's hungrily standing by a table laden with food, and just as he's about to really feast, Wally ejects him from the barn. Woody then dresses up as a femme fatale and vamps Wally into letting him enter the barn dance. Woody's main object is to get food; Wally's, to dance with this new gal who has really excited him. Thus, we see a struggle on the one hand for food; on the other, the enjoyment of dancing. Woody finally gets to the food-laden table and ultimately obtains more than his share of the food, storing the excess in his dress in spite of Wally's efforts to keep him dancing. Wally finally discovers that his exciting gal is really Woody in disguise, and realizing that a fool he has made of himself, he violently kicks himself.
Read more about this topic: The Woody Woodpecker Polka
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)