Production
In The Women: The Legacy, a bonus feature on the DVD release of the film, Diane English discusses her fifteen-year-long struggle to bring a contemporary version of the 1939 classic film to the screen. She wanted to present a version in which the female characters were strong and self-reliant and supported and defended each other rather than resort to treachery and catty remarks to achieve their goals. Since the concept of women going to Reno in search of a divorce is archaic, she needed to eliminate this aspect of the original plot from her treatment, which necessitated deleting several characters from the story. One character that is not in its original form is Lucy, who in the play and original movie was the maid in Reno, here she is seen as Mary's dog.
English wrote the first screenplay in 1993 during hiatus from Murphy Brown. The following year, Julia Roberts and Meg Ryan agreed to co-produce and star, with James L. Brooks as director and a supporting cast including Blythe Danner, Marisa Tomei, Debi Mazar, and Candice Bergen. In 1996, the first table reading of the script was held on the Sony Pictures lot. Despite the enthusiasm of everyone involved, the project stalled when Roberts and Ryan decided they wanted to play the same role.
English spent the following year revising the screenplay, during which time Brooks dropped out to direct As Good as It Gets. Roberts also lost interest and moved on. English first entertained the idea of directing the film herself in 2001. Over the next few years, Sandra Bullock, Ashley Judd, Uma Thurman, Whitney Houston, and Queen Latifah were among those to express interest, although none were attached officially.
After being turned down by every major Hollywood studio, English decided to develop the project as an independent film and approached Victoria Pearman, the president of Mick Jagger's production company, Jagged Films, who agreed to produce the film for Picturehouse. Pearman offered some plot suggestions, and English put the finishing touches on the seventh and final draft of the script. Upon the film's completion, it was shown to executives at Warner Bros., which had absorbed Picturehouse in the interim. Unimpressed, they put the film on the back burner until the box office success of Sex and the City convinced them there was an audience for an all-female film.
The film was shot on location in New York City and Georgetown, Dover, Gloucester, Sudbury, Medfield, and Boston in Massachusetts. As with the play and 1939 film, English was careful to make sure no men appear on screen, even in long shots and crowd scenes. The only male character in the film is Edie's baby boy, born in the final scene of the film, and the waiter at the café, at the credit scene.
Read more about this topic: The Women (2008 Film)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)