Plot
San Francisco ad man Teddy Pierce is amused by, then obsessed with, a beautiful woman whose red dress goes whooshing over her head from a gust of wind as she crosses a grate. Teddy is happily married to Didi, but he can't get this woman out of his mind.
Encouraged by his friends Buddy, Joe and Michael, he tries to ask her for a date but mistakenly phones Ms. Milner, a plain ad-agency employee who is flattered by his interest.
Teddy ultimately does become acquainted with the woman in red, a model named Charlotte, going horseback riding with her and even inviting her to a relative's party. He radically alters his wardrobe and begins using elaborate ruses to see Charlotte socially. Meanwhile, he incurs the wrath of Ms. Milner, whom he stands up.
Events come to a head in Charlotte's high-rise apartment, where she invites Teddy into her bed. He is thrilled until her airline pilot husband suddenly comes home. Teddy ends up on a ledge, where passersby below believe he is a potential suicide about to jump, all captured on live TV.
A subplot concerns Teddy's friends, one of whom is gay, another a philanderer whose wife throws him out.
Read more about this topic: The Woman In Red (1984 Film)
Famous quotes containing the word plot:
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)