Reception
Frank S. Nugent considered the film a "delightful piece of wonder-working which had the youngsters' eyes shining and brought a quietly amused gleam to the wiser ones of the oldsters"; "not since Disney's Snow White has anything quite so fantastic succeeded half so well. Nugent had issues with some of the film's special effects, writing that "with the best of will and ingenuity, they cannot make a Munchkin or a Flying Monkey that will not still suggest, however vaguely, a Singer's Midget in a Jack Dawn masquerade. Nor can they, without a few betraying jolts and split-screen overlappings, bring down from the sky the great soap bubble in which the Good Witch rides and roll it smoothly into place." According to Nugent, "Judy Garland's Dorothy is a pert and fresh-faced miss with the wonder-lit eyes of a believer in fairy tales, but the Baum fantasy is at its best when the Scarecrow, the Woodman and the Lion are on the move."
Roger Ebert chose it as one of his Great Films, writing that "'The Wizard of Oz' has a wonderful surface of comedy and music, special effects and excitement, but we still watch it six decades later because its underlying story penetrates straight to the deepest insecurities of childhood, stirs them and then reassures them."
Writer Salman Rushdie acknowledged "The Wizard of Oz was my very first literary influence" in his 2002 musings about the film. He has written that "When I first saw The Wizard of Oz it made a writer of me." His first short story, written at the age of ten, was titled "Over the Rainbow".
All 75 of the Rotten Tomatoes critics rating the film gave it a positive review, giving it a 100%.
Read more about this topic: The Wizard Of Oz (1939 film)
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
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“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)