Plot
Jerry's girlfriend, Meryl (Courteney Cox), poses as his wife in order that she may share in his 25% dry cleaning discount. In fact, Jerry is having fun with the idea of having a wife, even if it's just to start a sentence. George urinates in the shower while at the health club and fears he may be reported to management. Elaine gets mixed signals from Greg, a prospective boyfriend in whom she is interested. As it turns out, the man Elaine has her eye on is the same person who caught George urinating in the shower.
Jerry eventually cheats on his "wife" with another woman in order to give her the discount. Meanwhile, Kramer is losing sleep because Jerry took his quilt to the cleaner, taking advantage of the discount. Kramer goes to get a tan to impress his girlfriend's family, and ends up falling asleep on the tanning bed.
As it happens, Greg wants to date a female gym instructor and not Elaine. Then he discovers Elaine is friends with George. The episode ends with Kramer meeting his girlfriend's family, who are black, and Kramer being horribly tanned to the extent that he appears to be in blackface. The girlfriend's father then angrily says, "I thought you said you was bringing a white boy home! I don't see a white boy! I see a damn fool!"
Read more about this topic: The Wife
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)